Your independent guide to the best shows in Toronto
An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
the voices were fantastic, very disappointed with the show, no continuity, disjointed, didn't
leave with a song in my head. a lot of people left at intermission. I was so looking forward
to this show, Sad.
Mariska from Portland, Oregon
DON'T BOTHER
Wanted to love this play, but ended up leaving at the intermission, and we weren't the
only ones who did. While the singing was great, the story line, and music were horrible.
The plot was absurd, Christine having the Phantom's child -- please. I only gave it two
stars because the actors were fine, they were just stuck with a horrible play.
Virginia from Seattle, Washington
NO PHANTOM
didn't care for it - was very disappointed- left at intermission
such a confusing story line
songs not memorable
although the singers were good - really didnt care for their tone
Phantom not a very good tone that was that enjoyable and Christine - way too
loud and shrill and operatic
not soft and engaging like Phantom original cast
Suprised Andrew Weber did this- not goo follow up
but orchestra and sets were very good
Tiffany from Seattle, Washington
SNOOZE-FEST, OFF-PUTTING STORY, OVER ENUNCIATING ACTOR
I'm a first time subscriber to the Paramount, but grew up on musicals. I've never seen
Phantom of the Opera, but was interested to see what Love Never Dies had to bring. The
first part of the show was soooooo boring. The songs weren't memorable, and it seemed
disjointed. You could see the lead actor spitting everywhere as he was over enunciating. My
friend (who loves musicals 1000% more than me), wanted to leave at intermission. I argued
that there was at least going to be some death and craziness at the end, so we should at
least get some action. Second half wrapped everything up, but honestly wasn't much better.
However, the actor who played Gustav screaming "noooo" at the end set me off in a way
that rarely happens. I couldn't stop laughing. It was horrible. I laughed for 5 minutes--full
body silent, snorting, shaking laughter as an actor was "dying" on stage. Other people
laughed at parts that weren't supposed to be funny. Overall, good laughs, but not what I
think they wanted.
G.G. from San Diego, California
DISAPPOINTING, BUT OKAY
We are season ticket holders at Pantages (have been for years). I doubt we would
have purchased tickets for this play, but they came in the packet for this season. We
love The Phantom Of The Opera and have seen it many times. This sequel doesn't
even come close to the caliber of music and story line. It has a completely
differently feeling and doesn't have the mystery and haunting feeling that the
original does. The songs and music are disappointing as well. Too bad as we were
very hopeful that we would enjoy it.
Gregg Olson from Austin, Texas
LOVE IS DEAD AND BURIED SIX FEET UNDER
Love Never Dies is the worst Broadway
Series production that has ever come to
Austin! This is the first time that I and my
party of 5 walked out at intermission and
never return. We also witnessed at least 5
others patrons doing the same.
I pity the performers as they did their best to
make something out of this monstrous
disaster created by Andrew Lloyd Webber.
It comes as no surprise this clunker never
was performed on Broadway!
Molly from Minneapolis, Minnesota
THE WORST MUSICAL I'VE EVER SEEN
I have season tickets to the Orpheum's broadway run, and let me tell you, this was
the quietest I've ever heard a Minnesota theater audience...which should tell you
something about how bad the show was. Lush costumes and large set pieces can't
mask lazy choreo and boring music.
If I hadn't read the plot ahead of time, I'd have had no idea what was going on, since
all of the exposition was done in tortured songs with canticles and over-sung notes.
We were laughing and we weren't the only ones. I wish we'd left at intermission, but I
guess we can be happy with the jokes we'll now have about this disaster of a musical.
Oh, and in all sincerity, this show should have a content warning for emotional
abuse. JFC, Raoul and the Phantom have only doubled-down on their horrific
treatment of Christine, who apparently LOVES to be grabbed, pushed, yelled at,
threatened, and blackmailed. It was gross.
Please note: All prices are listed in US Dollars (USD). The term Ed Mirvish Theatre and/or Love Never Dies as well as all associated graphics, logos, and/or other trademarks, tradenames or copyrights are the property of the Ed Mirvish Theatre and/or Love Never Dies and are used herein for factual descriptive purposes only.
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